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Features

TMB42 Track of the Year 2018 results

For the past few months, YOU have been voting for your favourite East Anglian track of 2018. Now it’s time to reveal this year’s top ten and winners.

10. The Glitter Shop – Tonic
Grunge-pop trio The Glitter Shop have been making a name for themselves around the region this year with their electric live performances. The soothing harmonies and delicate instrumentals on the high-tempo track makes Tonic easily their best track to date. Catch them at The Smokehouse in Ipswich this Saturday.

9. The Catch – Tie Dye
When Tie Dye was released in February, it signalled a change in The Catch’s musical style. Since then, the teenage trio have captivated everyone with their heavy instrumentals which are at the fore-front of this pulsating track. Big things are expected of The Catch as we head into 2019.

8. The Baskervilles – Blood In My Mouth
The Ipswich music scene is currently thriving with the likes of Bessie Turner dazzling national audiences, but rockers The Baskervilles are currently making waves of their own with the flawlessly catchy Blood In My Mouth. The band recently had the opportunity to play Reading&Leeds this year, and they’ll be looking to build on that next year.

7. Basement Strippers – Blindfold
One of this year’s biggest success stories are the Basement Strippers from Bedford. With the release of their debut EP under their belt, lead track Blindfold is the song that has gained them plaudits with their clever songwriting and heavy rock sounds. The band have since played in various locations such as Bury St Edmunds, St Albans and London with more gigs scheduled for next year already. 

6. Gaffa Tape Sandy – Meat Head
After grabbing the number one spot last year with the triumphant Beehive, Gaffa Tape Sandy returned with an almighty bang in 2018 with the empowering anthem Meat Head. Their rampant style combined with the powerful female vocals on the tracks proves why they’ve played festivals like Latitude, Iceland Airwaves and Truck this year. The trio have  new music on the brink of release and there’s no doubt they’ll be at the top of our list again next year.

5. Pink Lemonade – Space Girl
Another success story from the area this year have been feel-good trio Pink Lemonade. The trio burst onto the scene in the summer with several festival appearances as well as the release of their infectiously popular debut single Space Girl. Their pop-punk sensibilities has captured a lot of people’s attention which has since seen them walk away with an NMG Award. BurySOUND is up next for the girls along with a lot more gigs around the area.

4. Influx of Insanity – Violet
The Cambridgeshire duo have taken the local music scene by storm this year having won BurySOUND and the Cambridge Band Competition at the start of 2018, and also releasing their debut EP in October. The atmospheric guitar riffs and unique vocals makes Violet the best track from the duo so far in what looks to be a very promising few years for the band. We can’t wait to hear what else they have up their sleeves.

THE TOP THREE

The top three have the chance to play one of our ‘The Music Blog 42 Presents…’ nights at The Constitutional Club in Bury St Edmunds in 2019 whenever suits them best! We also had a little chat with each of them!

3. Tundra – Swimming Shorts

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Swimming Shorts is arguably your best song yet, what was the inspiration behind the track?
I (Elliot Booth, bassist) began writing Swimming Shorts in the corner of one of my lessons at college on an acoustic guitar. I’d seen SuperGlu the weekend before for the first time and it somehow inspired me to come up with the intro to the song. It was the easiest song to come up with lyrics for because it just flowed so well. We were all in a gloomy place as it was the end of Winter and we were waiting for summer to come around, so writing an upbeat song for the Summer was a big thing for us and I think we did okay with it. 
Just as we finished writing the song we lost two school friends in a car accident and found an alternate meaning to the song that we hadn’t thought of. We slightly changed some lyrics and it became what it is today.
I think we all want people to listen to the song and think of the happy times, even if right now isn’t so positive, it’s not to say tomorrow won’t be. The song is all about looking forward and seeing something better than now

It’s been an awesome year for Tundra, what would you say has been your highlight of 2018?
Obviously we start with supporting Marmozets (at the Cambridge Junction), especially as it was on my birthday, that was one of the most surreal things I think that has ever happened to us. We didn’t quite understand what was going on until it ended.
Playing the Apex as the BurySound final headliner in March was probably the most fun I’ve ever had on a stage and the invasion was something I’ll keep with me forever! Anyone who came up on stage thank you for making it so awesome! Releasing Life’s A Beach was awesome as it was something that we spent so much time and effort on and listening back to them really makes us so proud because they aren’t half bad. The Bury Fringe All Dayer was mental. It was so much fun and just a massive joke with all the Royal Family masks flying about, it was lovely to warm everyone up for Gaffa Tape Sandy too as well as we hadn’t played with them for over a year! Supporting Pirate Joe at Norwich Arts Centre was also a highlight, the show had sold out a week before which was unheard of for us. It was an amazing gig filled with no one that we knew in a venue that we had never played before which made it so much more amazing! Finally supporting Milk Teeth in Gloucester was great as we hadn’t really ventured much further than London and Norwich but now that we have the taste for it, we want to do it more! However supporting Milk Teeth was awesome and the venue was a sick restaurant in the middle of nowhere which made it that little bit more magical!

After the release of your EP Life’s a Beach in April, do you have any plans on releasing any more music next year?
MUSIC THAT MAY BE COMING OUT NEXT YEAR? We can let the cat out the bag and say that, YES, we will be releasing some more music next year however we don’t know when, but we do have some plans that are in the making and hopefully 2019 will be the year we can get the boat ROCKING!!!! (If anyone knows how we can play at Latitude, that we would be eternally grateful thanks bye)

2. The Fifths – They Should
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2018 has seen the band release four new singles, would you say They Should is your strongest one yet?
They Should was our last single of 2018 and was released alongside Trampoline. We definitely feel that They Should has much more of an up tempo, bouncy feel, especially when compared to our first release Chance It. This has meant that it has always had a warm reception when performed live! We finished our first ever gig with it back in January and since then it has always been one that we’ve kept the audience waiting to hear.

‘They Should’ has drawn comparisons with the likes of Bloc Party and the Arctic Monkeys. Would you say these are inspirations when writing new music?
I can see why you’d say that as this song started (and mostly ended) as a clumsy Banquet rip off! Arctic Monkeys have been my most listened to artist for three years straight (‘Sheffield Indie’ came up on my fourth most listened to genre during my first month of Spotify) so they’ll always play a part even if I were to never listen to them again. I’m not sure about Bloc Party, the stuff we’ve been working on is quite far removed from that now.

You guys are competing in BurySOUND next year, what else have you got planned for 2019?
Without giving too much away, we have definitely got some big plans and goals for 2019 and have already started working towards those. We shall be doing our best to keep the momentum that we have taken from 2018 and build it up further through 2019 with brand new tunes being performed and recorded from January.

THE MUSIC BLOG 42 TRACK OF THE YEAR IS

ENTERLUDE – BRITISH DREAM

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Congratulations on winning Track of the Year with British Dream! What was the songwriting process behind the track?
Thank you! Back in April 2017 we had just started to move on from playing covers and started trying to write songs. The chorus of British Dream were lyrics that I had playing over and over in my head in the shower and then one night I actually decided to have a go at writing the song and putting my ideas down. Most of the structure, lyrics and composition were done in one night (with the help of some alcohol). It is such a basic song, with a really simple progression of only four chords, one verse repeated and a lead guitar riff over the top of it, which was inspired by Mr Brightside by The Killers.

The track has been well-received all around the local music scene, what do you think has made it become such a hit?
The simplicity of it. The pacing makes it really upbeat and strong whereas the lyrics are more sombre and sad making it seem bittersweet. The guitar riff and bass are the real driving forces behind the melody, which is easy to pick up on and remember. With the mixture of a classic rock line up with synthesisers, we like to think gives us a unique sound that you don’t really hear in this day and age especially in East Anglia.

It’s been a strong year for the band having released your debut EP and playing lots of local shows, but what’s been your standout moment from 2018?
Our slot at the Apex at the end of August was great, playing on such a large stage and being treated so professionally was pretty good. We also sold all of our physical copies of our EP which we had just released about a week before digitally so that was amazing. Our set at BurySound Heat One this year was also amazing, despite not getting through we had a sold out audience at the Hunter Club and the energy in the room was huge.

As we all get set to welcome in 2019, what are Enterlude’s plans for next year?
We’re definitely writing more songs over the next few months and should hopefully have a few released early into the year. All of our songs have been recorded on GarageBand in various kitchens and front rooms, so it would be nice to rent out a proper recording space in the future. As four of the five of us are at University at the moment it makes it hard for playing live and rehearsing, but hopefully we can get a few gigs in the Summer and Winter when we’re all together again and settled down a bit. We’ve played the Hunter Club and The Apex, so naturally headlining Glastonbury is next, but if that’s not possible we would love to play at more venues in and around Bury, such as The Constitutional Club, Cambridge and Ipswich.

 

Categories
Top Tracks

21/09 – Best In The East Spotify Playlist

When we first started the Blog we created a Spotify playlist featuring new music and old favourites from bands around the region. For some unknown reason it fell by the wayside but it’s now back in all its glory!

This fortnights offering includes these awesome little numbers:

AMONG THE CITIZENS – WORDS MEAN NOTHING
Easily one of the best indie tracks released this year with its ridiculously catchy guitar riffs and relentless vocals, the Among The Citizens lads have had a belter of a year having won the Breakthrough award at the recent NMG Awards whilst also playing gigs around the region in Stamford, Cambridge and Bury St Edmunds. The foursome embark on their first UK tour next month promoting their soon-to-be-released EP which we can’t wait to hear!

FFION REBECCA – DEVIL
Another artist who was successful at the 2018 NMG Awards was female soloist Ffion Rebecca who walked away with the 18 & Under award. Rebecca stole the show on the night of the awards with inch-perfect performances of her newly-recorded tracks. Devil shows off her impressive vocal range complimenting the slick contemporary R’n’B production. She is definitely one to watch in the future!

BASEMENT STRIPPERS – BLINDFOLD
Without a doubt one of our favourite EPs of 2018, Bedfordshire rockers Basement Strippers are on top form on Echo Chamber with lead single Blindfold showing off their new grittier sound of intense instrumentals and a powerful vocal delivery from frontman Jamie Gilman-Lewis. The band travel to Bury St Edmunds on Friday 12th October for our gig night, supporting War Waves, don’t miss their set!

KYANOS – LOST IN BLUE
The BurySOUND 2018 Rising Star winners KYANOS proved why they are one of the most-talked about bands in the East when they released the gorgeously funky Lost In Blue at the start of the month. The smooth guitar rhythms and chilled out vocals makes this a real favourite during their live performances. Make sure you catch them headline the 3rd November Washing Machine night at The Hunter Club, Bury St Edmunds!

POLLY HAYNES – WOULD YOU WAIT?
2018 has been a phenomenal year for female soloists in the area, and Polly Haynes has really proved why she is one of the best out there with her three superb releases. Would You Wait? has an Americana/soul vibe to it, showing off her versatile vocals and talented songwriting skills. More is still to come from Polly and her brilliant backing band, but for now, listen to this and her other two tracks I’m Fine and Pulling Me Backwards.

HUCKLEBERRY HARRISON – TAKE IT OFF
After the Mac DeMarco-inspired 2017 album What The Huck? and a subsequent year at university, the loveable Huckleberry Harrison returned late last month with the sonic Take It Off full to the brim with electronic beats and a small dose of Auto-Tune for effect. A completely different style to his previous music, Harrison completely pulls it off on production alone, leaving us completely in the dark as to what he’ll be releasing next.

FIGHTMILK – FOUR STAR HOTEL
Everyone’s favourite pop-punk band are back with an almighty bang with Four Star Hotel, a tale of a trip to Amsterdam and troublesome heartbreak. Their relatable, memorable lyrics really resonate on this track which is the first to come from their debut full-length album Not With That Attitude. It’s out on 2nd November, a mere 15 days before they tear up The Hunter Club supporting Gaffa Tape Sandy!

ENTERLUDE – THINKING ABOUT YOU TOO
Everybody knows how much we love Enterlude and this track is no exception. Having released their eponymous debut EP earlier this month, the lads have released two new tracks before embarking on new adventures with Thinking About You Too being the pick of the bunch! The delicate vocals and gentle instrumentals shows off a more emotional side to their songwriting, making this one of their best releases to date.

THE NEXT BEST IN THE EAST UPDATE IS COMING FRIDAY 5TH OCTOBER AT 19:00!
Featuring new music from The Baskervilles, Pink Lemonade, War Waves and more!

Categories
EP Reviews

EP Review: Enterlude – Enterlude

Last May we said that Enterlude are a band capable of writing “absolutely huge tracks”, and their debut EP proves our point.

Since their formation late last year, the quintet have really gone from strength to strength having owned their BurySOUND heat, supported Bessie Turner and played their biggest gig to date at The Apex. But with the release of their self-titled EP, the band have ultimately proved why they are one of the most exciting young bands in Bury St Edmunds.

The EP shows off the tracks that are a staple in their live performances, including the new version of toe-tapping electro-pop number Hurt Yourself and arguably the best track of 2018 British Dream.

Alongside the two previously released singles are three newly recorded songs. The  uptempo Flag and Ruins, which has a distinct The Black Keys sound about it, shows off the band’s unique synth-driven sound.

Though the real highlight is the last song of the EP Happy Being Miserable, a track with ferocious instrumentals and powerful, high-tempo vocals that rounds off an incredible collection of tracks.

With this EP under the belt and more music to be released imminently (Thinking Of You Too), expect a lot more from Enterlude over the next few months!

ENTERLUDE are playing the Washing Machine night on Saturday 17th November alongside GAFFA TAPE SANDY, FIGHTMILK, GOLDBLUME and BAD STONE! £5, 6pm!

Categories
Gig Reviews

August’s 545 @ The Apex

The second instalment of this year’s 545 events at The Apex saw stellar sets from Golden Bantic, Kelodown, Saving Scarlett, Enterlude and headliner Tom Lumley.

Golden Bantic opened the night in front of a great crowd who really related to their infectious indie-pop tracks. Gecko and Pink were the standout tracks from an enjoyable setlist. Tonight was the first time they’d played Bury St Edmunds, and off the back of this performance and with increasing popularity in Cambridgeshire, we’ll definitely be seeing them again.

After owning the Apex stage in March, BurySOUND finalists Kelodown returned with another very confident hard rock performance full of energy and power. Alongside the usual crowd favourites Electric Mountain Blues and Carpet Burn were new tracks which will be released sometime soon. The band play The Hunter Club on 20th October, so get down and see them.

After the hard rock of Kelodown, Saving Scarlett kept the night rolling with their brand of rock tinged with hints of pop punk. The band released their debut album last year which is a really great piece of work, and tonight’s performance showcased their music to a new audience with By My Side and Wild Creatures really going down well with the strong crowd.

Since forming last year, Enterlude have gone from strength to strength and tonight’s performance proved why they are one of the most hotly-tipped bands around. Starting their set with Hurt Yourself, the band went on to play more of the indie-electro tunes from their debut self-titled EP like Ruins and Happy Being Miserable. Enterlude also premiered new music with Thinking Of You Too sounding so special on the big stage. British Dream closed their triumphant set, one of the best we’ve seen this year.

One of Cambridgeshire’s finest talents headlined the evening, and when Tom Lumley and his band get up on stage you know you’re going to get entertained. Lumley captivated the crowd from the off with his scintillating indie-rock. The set featured some of his older ‘soppy’ tracks from his Dream City EP like Running For Our Lives and Done My Time, but also showed off some of his newest tracks with Skyhigh and Crawling really proving that he’s left his singer-songwriter days behind him. Closing the set with one of our favourite tracks from 2017, Just Like The Light was a ferocious affair culminating in Lumley jumping the barrier and playing alongside an energetic crowd. An awesome set from a man who gets better and better.

The next 545 is on Friday 2nd November at 7pm headlined by CONNOR ADAMS, with support from LOST LUNGS, ALTER THE SKY, LUNAR ECHOES AND THE FIFTHS!

We are putting on our second gig on Friday 12th October at The Constitutional Club in Bury St Edmunds headlined by WAR WAVES with support from THE ISLAS, BASEMENT STRIPPERS and more to be confirmed!

Categories
Gig Reviews

Bessie Turner @ The Hunter Club, BSE

A sublime headline set from Bessie Turner entertained a strong crowd at an extremely hot Hunter Club on Saturday evening.

New band on the scene Salvador opened up the evening with their chilled indie-rock sound, songs like Gum Disease and Slow Down really stood out and excitingly enough the band are heading into the studio to record an EP which will be out towards the end of the year. An impressive way to start the evening.

Another act making their Hunter Club debut was indie-pop newcomer James Cooper, who brought along a small legion of fans with him. Anoraks and Blue Eyes were the standout tracks here, though his cover of Brianstorm by Arctic Monkeys showed off a more grittier side to his sound. His debut EP released last year was very strong, and it’ll be great to see what he can do in the future.

After sadly pulling out of the Fringe All-Dayer in May, we were VERY excited to see The Interesting Times Gang perform once again after their dazzling set here in January, and once again they proved why they are starting to grab people’s attention around the local scene. Their unique selection of tracks are ultimately catchy with the formidable Wayward Navigator and the intensely brilliant Enough Is Enough capturing the crowd’s imagination right from the start. ITG are definitely a band you need to see whenever you get the chance.

Enterlude burst on to the scene late last year, and ever since then have gone from strength to strength with stellar sets at their BurySOUND heat and at the Fringe All-Dayer, but tonight was a set to remember for sure.
The whole band were on it from the get-go, referencing England’s win over Sweden earlier on in the day asking if there was “anyone from Sweden here”, before launching into several new tracks like I’m Happy Being Miserable which will be on their debut EP which is set to be released towards the end of the year. 
Hurt Yourself
and British Dream sounded as brilliant as ever, with the latter most definitely our favourite song of 2018 so far. These lads have the potential to be a massive success on the local scene, and on tonight’s performance it could be sooner rather than later.

When it was announced last April that Bessie Turner was going to headline her first Washing Machine, we were instantly excited, mainly due to the fact that she has been one of the biggest success stories to come out of the region in years with extensive national radio-play and a truly magical EP release which has captured attention across the country. And as expected, she definitely didn’t disappoint.
Her set was largely based around her debut EP 22:22, opening with the soothing Casa and Big Sleep before exploding into life with cheeky excerpts about how football is coming home and her infatuation with the eyes of English defender John Stones.
The loveable crowd interaction made the gig feel even more intimate, with the bouncy-jazz of In My Room and several new tracks really connecting to the large crowd who instantly fell in love with the charming Turner.
Words You Say closed what was another brilliant night of music, but shows why in only a weeks time Bessie Turner is headlining the Introducing Stage at Latitude. Another accolade to add to an ever-growing list of achievements.

NEXT EVENT: Bury Fringe Fundraiser @ The Constitutional Club featuring STRETCH SOUL GANG, KELODOWN, LUCY GRUBB, SHADLEY HARRIS AND MORE! £5 entry with doors opening at 7pm. BE THERE.

The Music Blog 42 are proud to announce our first ever gig night at The Constitutional Club, Bury St Edmunds on Saturday 18th August.. Joining the line-up are BSE psych-rockers SUN SCREAM, BurySOUND 2018 winners INFLUX OF INSANITY and more to be announced very very soon! Details to be confirmed shortly.

Categories
Features Spotlight

TMB42 Spotlight: Enterlude

This month’s Spotlight is on one of the most exciting bands on the local scene : indie synth-pop band Enterlude.

Band Members:
Tom Paren – Vocals and Rhythm Guitar
Josh Finch – Lead Guitar
Will Allsopp – Bass
Ted Ballam – Synthesizers
Ethan Richards – Drums

Although they are only starting to become more prominent within the local scene, the band formed in early 2016 which saw four out of the five members start learning their instruments from scratch, an impressive achievement for a band who are slowly becoming one of the hottest prospects on the local scene.

What makes Enterlude stand out from their guitar-driven counterparts within the scene is their use of electronic sounds within their indie-pop instrumentals. As heard in debut single Hurt Yourself, the driving synth rhythm which triumphantly weaves throughout the track combines well with the fuzzy guitar riffs and laid-back vocals. Though their debut single was a success, British Dream really is Enterlude at their best. The instantly memorable synths which links up with the confident vocals makes this easily one of our songs of the year.

The band interestingly state The Strokes and The Killers as just two of their influences within their music, two bands that have evolved their sound over the past few years to include more electronic-based instrumental. However they do state that they all have a variety of different music tastes which helps to contribute to their sound!

The start of 2018 saw them participate in their first BurySOUND heat, just a few months after playing their first Hunter Club gig supporting SIAH and The Virtues. They were desperately unlucky to miss out on going through to the final in what was a very strong heat, however the room was packed out for them and like they said “we had a full room going crazy to our songs”. Promising stuff, right?

The next few months is going to be interesting for the band, with an EP to be released towards the end of July which we really can’t wait to hear! Enterlude are also looking to play more gigs so if you’re a local promoter, be sure to get in touch with them via their Facebook page!

Upcoming Gigs:
7th July – Hunter Club – supporting Bessie Turner
August TBA – The Apex – playing The 545

For fans of: Blossoms, The Strokes, INXS

 

In an exciting new partnership with Huntingdon Community Radio, British Dream will be played throughout the station during the month of June!

Want to be July’s Spotlight? Get in touch with us via our email: themusicblog42@gmail.com

 

 

 

Categories
Gig Reviews

Bury Fringe All-Dayer 2018 @ The Hunter Club, BSE

An incredible array of talent was on display at The Hunter Club yesterday (Saturday 5th May) for the 7th annual Bury Fringe All-Dayer, headlined by the rampant Gaffa Tape Sandy.

The day was brilliantly started with bands from Queens Road Rock School, Queen Dogs showed vast confidence beyond the years playing covers of One Way or Another and a great cover of Transmission by Joy Division, whilst The Daze played some original tracks alongside covers of Use Somebody and Blitzkrieg Bop. Both bands went down really well with the crows, and it really was a great way to kick off the day.

Opening The Magic Carpet Stage was rising star Noah Evans, another performer in the same age range as the bands before, but still showing off his incredible talents playing tracks from his debut EP See It Through which is now on Spotify. These three acts really shows that the Bury St Edmunds area is abundant with young talent, and it’s so promising to see this!

Going back to the Main Hall, alt-rocker Sophie Mahon and her backing band wowed the crowd with a truly awesome 80’s influenced-set featuring crowd favourite 2bf which is a really really brilliant track. Turning 180 degrees, it was then Blue Mean Eyes turn to shine and they certainly did. Tearing through tracks like Brixton Shrug, the trio proved during their set that they are set for big things, especially considering that they have new music on it’s way!

Enterlude brought their indie-synth sound to the Washing Machine stage, playing the phenomenal tracks Hurt Yourself and British Dream whilst also showing off new track Dancing With The Devil. With a support slot for Bessie Turner coming up for the band, they’ll just get better and better. After their set, Cambridge’s Lemondaze played a blinder of a set, with their stunning shoegaze sound really connecting with the large crowd. They are definitely a band to keep an eye out for, really promising stuff!

Our first visit to the Rock Against Racism Stage, run by Toonteen’s Joe Weaver, saw us see the brilliant BAILEY. Starting his set with his debut single The Future, his elevating-pop sound really shone through as his set went on, he has new tracks on the way and we can’t wait to hear them. Next up on stage was the delightful Matt Hammond who was a really interesting act to watch. It was lovely to sit and admire his guitar work, his intricate guitar melodies were truly impressive, especially during the wonderful Skylines.

A late replacement after the Interesting Times Gang sadly pulled out, KULK played two sets during the day. Heavy rock is their speciality, especially when they’re playing the bloody insane tracks Fix Me and Toxic. Every time I see these, they just get better and better, and to get that sound from only two people is just jaw-dropping! After seeing them support DRUIDS in January, it was really nice to see Stealing Signs back with their sweet alternative rock, playing one of my personal favourite local tracks You Will Be and many more. Every time these lads perform they put on a great show, we can’t wait to see them at Homegrown Festival!

Rounding off the first half of the all-dayer were the wonderful trio of The Glitter Shop. They may have only played a handful of gigs together since forming, but as soon as they stepped on stage, you would have thought they would have been playing together for years. Not only do their studio releases Fizz and Sleep sound great live, the other tracks on their set like Throwing Apples and Call The Bank topped off with their frantic energy on stage proves why they are one of the most exciting bands to have come out of the local scene in years.

After a much-needed food break, Kelodown and their hard rock sound really got the crowd moving proving why they made to the final of BurySound this year. With more gigs under their belt, the band will get even better, especially if they write tracks as good as Carpet Burn and Occupational HazardThe Baby Seals made their Hunter Club debut with a formidable set filled with really fun tracks with bonkers names like My Labia Is Lopsided But I Don’t Mind and Nipple Hair. Hopefully they play there again soon, because they were ace!

Playing before the headliners on the Rock Against Racism stage were The Catch with one  of the best sets of the entire day. Their new tracks sound really really impressive especially the thumping Can You Feel It? and Hindsight, which really compliment the rest of their packed set which include crowd favourite Tie Dye and new single Sort It Out. Quality as always from one of the best bands in Bury.

SIAH played a long over-due set on Chris’s Stage, with their post-punk hits Susie Smokes and A French Girl sounding really great as always. Let’s hope that they release some new music before the year is out because it’s desperately needed! Fresh off the back of a European tour, Fightmilk were another band returning to the Hunter Club with their epic pop-punk tracks like Pity Party, making the release of their debut album hotly anticipated!

Co-headlining the Rock Against Racism Stage were indie-rock legends The Baskervilles. The band have recently released new track Blood In My Mouth which sounds truly majestic live, alongside their set-opener Kalashnikov and all-round belter Death Of A Pop Song. We really can’t wait to hear what the foursome release next because they’re one of the best indie rock groups around locally. The other band co-headlining the RAR stage were 2017 BurySOUND finalists Goldblume, a commanding set from the god-like trio who played Razor, from their RSD vinyl release, which sounded utterly sublime. Their bold stage presence was a joy to watch and was the perfect way to close the stage. Two real highlights of the day.

After releasing their second EP Life’s A Beach only last week, Tundra brought the summer vibes to Chris’s Stage with their glorious surf-punk sounds. They played the EP in full with Walking Stick and Swimming Shorts sounding absolutely huge with their awesome riffs and thundering drums. It’s no doubt that Tundra are a ‘live band’, and when it comes to playing their trademark song Vacation, you know that the crowd are going to go absolutely mental. And they certainly did. A really memorable set that led into the overall headliners set impeccably.

So, now onto the last act of the night, the absolutely AMAZING Gaffa Tape Sandy. The band had already played in Leeds earlier on in the day, but they saved their A-game for their hometown crowd bursting into the frantic Transylvania and the snappy Water Bottle with moshpits already forming in the packed crowd. The trio played a mix of old and new with the well-received Smart Dressed Guy and L’Appel du Vide still sounding so exciting and fresh. New tracks Turnstile and Meathead went down a treat with the crowd too, with the fun instrumentals and perfect vocals really packing a punch, the latter is being released soon, WATCH THIS SPACE! And by the way Manager is still class, probably the most underrated track from their debut EP Spring Killing. They closed their set with the ever-present Beehive, inviting the absolute legend Seymour Quigley to crowd surf whilst they played it. With several festival dates this summer lined up, there’s no doubt that they are one of the most exciting bands in the UK at the moment. Go and see them if you ever have the chance!

Well done to all the acts who played yesterday! Special shout out to Substation, Rosa, Alicia Hall, Robert C Taylor, Ben Pegley, Phoebe Austin and Grandma’s Waffle Velocity too!

Thanks to everyone involved for putting on a great event!

Written by Marc Manning                Graphics by Guy Rodwell

Categories
Track Reviews

Track Review: Enterlude – British Dream

If you were looking for a fresh new indie-pop band capable of writing absolutely huge tracks then Enterlude are the band for you.

After releasing debut single Hurt Yourself only a few weeks ago, which has a tinge of Kasabian mixed in with 80’s synth-pop, the band are unexpectedly back with the bloody awesome British Dream.

British Dream starts off with with a simple drum rhythm which then explodes into jittery guitar riffs and insanely good synths which pulsate throughout the track, combining well with the confidently-delivered lead vocals that will be stuck in your head for the next few days or even weeks!

The track is already one of our favourites of the year so far, and with various live dates coming up around Bury St Edmunds over the next few months, Enterlude can only get bigger from here on in.

Let’s hope they release another track as soon as possible!

British Dream is out now on all platforms.

Catch Enterlude at the Bury Fringe All Dayer on Saturday 5th May at The Hunter Club, their set time is 3:30!

They are also supporting the magnificent Bessie Turner on Saturday 7th July at the same venue!

Categories
Gig Reviews

BurySOUND Heat 1 @ The Hunter Club, BSE

Organ Of Corti smashed their way through to the BurySOUND final with their barnstorming set at Heat 1 of the competition.

The trio were announced as winners of the night, after sets from soloists Ben Wheatley and Noah Evans, Cambridge’s Deep City and BSE’s Enterlude.

Ben Wheatley, from Thetford, kicked off the night with his acoustics, and he was really rather good at it. The tracks Trigger and Love Game were great highlights from his set, especially to differentiate from the more slower numbers like Gentlemen. Ben is hoping to be releasing his debut EP soon, and hopefully he’ll be back at The Hunter Club in the near future!

Cambridge indie pop foursome Deep City were up next. Having seen them before at The Apex and also having listened to their latest EP 15:16 religiously, I was excited to hear them on a smaller stage. There’s no denying that the band have a great presence on stage and a great selection of tracks to perform, especially the insanely good Time and Slow. All this helped by the use of a loop pedal which really shows off the band’s talents.

One of the newest bands on the Bury scene were up next in Organ of Corti. The trio really took me by surprise, mainly due to the fact I’m not really a fan of the type of music they make but I was completely hooked from the first song. All three members of the group looked in their element, and their vocalist has such a great voice. I seriously can’t wait to see them on a bigger stage, hopefully, they’ll sound even better.

One of the youngest entries in the competition this year was 13 year old Noah Evans. As soon as he took to the stage, the packed crowd were hooked with his impressive, mature songwriting. His interaction with the crowd was very admirable, getting them to sing-a-long with his covers of tracks like Sweet Child O’ Mine and Naive. His EP is out soon and we can’t wait to listen to it!

The last act on were alt-rock quintet Enterlude. The crowd were definitely up for this set, the whole place was moving to their great tracks like Hurt Yourself and British Dream, made even better with the use of a synthesiser, which gave their music more of a layered sound to it. If you’re a fan of Miles Kane and 80’s synth pop, you’ll love these lot. It’d be great to see them again!

After the rather heated voting process (described by one as being like Brexit!), it was great to round off the night with the chilled out vibes of Bessie Turner. There’s no denying she had an outstanding 2017, playing Latitude Festival and getting a ‘seal of approval’ from BBC Radio Goddess Jo Whiley. Although she already has some great tracks, Words You Say stood out as being the best, probably because I was excited to hear it live for the first time! Bessie and her backing band are embarking on an extensive tour in the next few months, check out her social media for all local and national dates!

Congratulations to Organ Of Corti who go through to the BurySOUND final at The Apex on 9th March!

NEXT HEAT: 2nd February at The Hunter Club. Kick off at 6pm, £5 a ticket!