This Saturday (4th May) is the annual All-Dayer of live music as part of the Bury Fringe Festival, and this year we’ve been honoured to co-run the Rock Against Racism Stage alongside our good friends at Toonteen Industries. We’ve selected some awesome acts to play this stage and here are the set-times and a little preview as to what you can expect from the acts from 2pm on Saturday:
2pm – Jess Kemp
3pm – Matt Hammond
4pm – Kim Jarvis & The BloodSuckers
5pm – A.N.G
6pm – Too Cool Kid
7pm – Vincent Vain
7:45pm – Influx of Insanity
8:30pm – Amethysts
9-15pm – ShaoDow
Jess Kemp opens the Rock Against Racism stage with her inimitable feminist-inspired poetry and spoken word. Jess is a well-known figure around the town having previously run a spoken-word night at Oakes Barn as well as having been championed by Radio1Xtra.
Having performed here last year, we were more than happy to welcome Matt Hammond back for another wonderful set. The ‘percussive guitarist’ released his latest single Skylines last year to much local acclaim so expect to hear that amongst his beautifully performed set of songs.
After headlining the festival last year with his band Gaffa Tape Sandy, frontman Kim Jarvis has decided to go it alone this year with his backing band The Bloodsuckers to perform some of his soon-to-be released solo material which EVERYONE is looking forward to hear.
A.N.G brings a different kind of performance to the RAR Stage with her influential grime and rap sound, which has made her a standout name in the ever-growing Suffolk rap scene. You may also recognise her from the BBC Introducing Suffolk team!
Following on from that, we’ve got the hotly-tipped trio Too Cool Kid who have recently wowed crowds at the Cambridge Band Competition. Their The Candidate EP is easily one of the best we’ve heard this year (expect a feature on that out very soon) having been inspired by the likes of Radiohead and The Strokes.
Alternative-rock duo Vincent Vain are another act to make their Bury St Edmunds debut on the night and they are well worth the watch. They’ve recently been teasing the release of their new music, and if their latest EP and recent live performances are anything to go by, we could be in for a real treat.
The awesome progressive-rockers Influx of Insanity are crowd favourites in Bury St Edmunds having won BurySOUND back in 2018. Since then the duo have gone from strength to strength having released an astonishing self-titled EP and have perfected their has-to-been live set. Expect awesomeness on Saturday.
Co-headliners Amethysts are one of the most recognisable acts from this region and their set on Saturday is going to be a real treat having previously played at Latitude Festival and several sold-out London shows. The electronic duo have also recently been championed by DIY Magazine and Radio 6Music.
Headlining the Rock Against Racism Stage is international rap star ShaoDow. The manga-influenced rapper has previously opened for well-known acts like Wiley and Stormzy, as well as having toured Europe, Asia and South America. ShaoDow is known for his unique sound which has been broadcast on popular radio show Fire In The Booth and on many commercial radio stations.
Elsewhere at The Hunter Club on Saturday will be performances from the likes of Sink Ya Teeth, KYANOS, Sam Eagle, The Glitter Shop, GABBY, History & Lore, Dusky Sunday and many many more! Doors open at 1pm so come down early for some awesome local live music! Tickets on the door are only £8.
For the past few months, YOU have been voting for your favourite East Anglian track of 2018. Now it’s time to reveal this year’s top ten and winners.
10. The Glitter Shop – Tonic Grunge-pop trio The Glitter Shop have been making a name for themselves around the region this year with their electric live performances. The soothing harmonies and delicate instrumentals on the high-tempo track makes Tonic easily their best track to date. Catch them at The Smokehouse in Ipswich this Saturday.
9. The Catch – Tie Dye When Tie Dye was released in February, it signalled a change in The Catch’s musical style. Since then, the teenage trio have captivated everyone with their heavy instrumentals which are at the fore-front of this pulsating track. Big things are expected of The Catch as we head into 2019.
8. The Baskervilles – Blood In My Mouth The Ipswich music scene is currently thriving with the likes of Bessie Turner dazzling national audiences, but rockers The Baskervilles are currently making waves of their own with the flawlessly catchy Blood In My Mouth. The band recently had the opportunity to play Reading&Leeds this year, and they’ll be looking to build on that next year.
7. Basement Strippers – Blindfold One of this year’s biggest success stories are the Basement Strippers from Bedford. With the release of their debut EP under their belt, lead track Blindfold is the song that has gained them plaudits with their clever songwriting and heavy rock sounds. The band have since played in various locations such as Bury St Edmunds, St Albans and London with more gigs scheduled for next year already.
6. Gaffa Tape Sandy – Meat Head After grabbing the number one spot last year with the triumphant Beehive, Gaffa Tape Sandy returned with an almighty bang in 2018 with the empowering anthem Meat Head. Their rampant style combined with the powerful female vocals on the tracks proves why they’ve played festivals like Latitude, Iceland Airwaves and Truck this year. The trio have new music on the brink of release and there’s no doubt they’ll be at the top of our list again next year.
5. Pink Lemonade – Space Girl Another success story from the area this year have been feel-good trio Pink Lemonade. The trio burst onto the scene in the summer with several festival appearances as well as the release of their infectiously popular debut single Space Girl. Their pop-punk sensibilities has captured a lot of people’s attention which has since seen them walk away with an NMG Award. BurySOUND is up next for the girls along with a lot more gigs around the area.
4. Influx of Insanity – Violet The Cambridgeshire duo have taken the local music scene by storm this year having won BurySOUND and the Cambridge Band Competition at the start of 2018, and also releasing their debut EP in October. The atmospheric guitar riffs and unique vocals makes Violet the best track from the duo so far in what looks to be a very promising few years for the band. We can’t wait to hear what else they have up their sleeves.
THE TOP THREE
The top three have the chance to play one of our ‘The Music Blog 42 Presents…’ nights at The Constitutional Club in Bury St Edmunds in 2019 whenever suits them best! We also had a little chat with each of them!
3. Tundra – Swimming Shorts
Swimming Shorts is arguably your best song yet, what was the inspiration behind the track? I (Elliot Booth, bassist) began writing Swimming Shorts in the corner of one of my lessons at college on an acoustic guitar. I’d seen SuperGlu the weekend before for the first time and it somehow inspired me to come up with the intro to the song. It was the easiest song to come up with lyrics for because it just flowed so well. We were all in a gloomy place as it was the end of Winter and we were waiting for summer to come around, so writing an upbeat song for the Summer was a big thing for us and I think we did okay with it. Just as we finished writing the song we lost two school friends in a car accident and found an alternate meaning to the song that we hadn’t thought of. We slightly changed some lyrics and it became what it is today. I think we all want people to listen to the song and think of the happy times, even if right now isn’t so positive, it’s not to say tomorrow won’t be. The song is all about looking forward and seeing something better than now
It’s been an awesome year for Tundra, what would you say has been your highlight of 2018? Obviously we start with supporting Marmozets (at the Cambridge Junction), especially as it was on my birthday, that was one of the most surreal things I think that has ever happened to us. We didn’t quite understand what was going on until it ended.
Playing the Apex as the BurySound final headliner in March was probably the most fun I’ve ever had on a stage and the invasion was something I’ll keep with me forever! Anyone who came up on stage thank you for making it so awesome! Releasing Life’s A Beach was awesome as it was something that we spent so much time and effort on and listening back to them really makes us so proud because they aren’t half bad. The Bury Fringe All Dayer was mental. It was so much fun and just a massive joke with all the Royal Family masks flying about, it was lovely to warm everyone up for Gaffa Tape Sandy too as well as we hadn’t played with them for over a year! Supporting Pirate Joe at Norwich Arts Centre was also a highlight, the show had sold out a week before which was unheard of for us. It was an amazing gig filled with no one that we knew in a venue that we had never played before which made it so much more amazing! Finally supporting Milk Teeth in Gloucester was great as we hadn’t really ventured much further than London and Norwich but now that we have the taste for it, we want to do it more! However supporting Milk Teeth was awesome and the venue was a sick restaurant in the middle of nowhere which made it that little bit more magical!
After the release of your EP Life’s a Beach in April, do you have any plans on releasing any more music next year? MUSIC THAT MAY BE COMING OUT NEXT YEAR? We can let the cat out the bag and say that, YES, we will be releasing some more music next year however we don’t know when, but we do have some plans that are in the making and hopefully 2019 will be the year we can get the boat ROCKING!!!! (If anyone knows how we can play at Latitude, that we would be eternally grateful thanks bye)
2. The Fifths – They Should
2018 has seen the band release four new singles, would you say They Should is your strongest one yet? They Should was our last single of 2018 and was released alongside Trampoline. We definitely feel that They Should has much more of an up tempo, bouncy feel, especially when compared to our first release Chance It. This has meant that it has always had a warm reception when performed live! We finished our first ever gig with it back in January and since then it has always been one that we’ve kept the audience waiting to hear.
‘They Should’ has drawn comparisons with the likes of Bloc Party and the Arctic Monkeys. Would you say these are inspirations when writing new music? I can see why you’d say that as this song started (and mostly ended) as a clumsy Banquet rip off! Arctic Monkeys have been my most listened to artist for three years straight (‘Sheffield Indie’ came up on my fourth most listened to genre during my first month of Spotify) so they’ll always play a part even if I were to never listen to them again. I’m not sure about Bloc Party, the stuff we’ve been working on is quite far removed from that now.
You guys are competing in BurySOUND next year, what else have you got planned for 2019? Without giving too much away, we have definitely got some big plans and goals for 2019 and have already started working towards those. We shall be doing our best to keep the momentum that we have taken from 2018 and build it up further through 2019 with brand new tunes being performed and recorded from January.
THE MUSIC BLOG 42 TRACK OF THE YEAR IS
ENTERLUDE – BRITISH DREAM
Congratulations on winning Track of the Year with British Dream! What was the songwriting process behind the track? Thank you! Back in April 2017 we had just started to move on from playing covers and started trying to write songs. The chorus of British Dream were lyrics that I had playing over and over in my head in the shower and then one night I actually decided to have a go at writing the song and putting my ideas down. Most of the structure, lyrics and composition were done in one night (with the help of some alcohol). It is such a basic song, with a really simple progression of only four chords, one verse repeated and a lead guitar riff over the top of it, which was inspired by Mr Brightside by The Killers.
The track has been well-received all around the local music scene, what do you think has made it become such a hit? The simplicity of it. The pacing makes it really upbeat and strong whereas the lyrics are more sombre and sad making it seem bittersweet. The guitar riff and bass are the real driving forces behind the melody, which is easy to pick up on and remember. With the mixture of a classic rock line up with synthesisers, we like to think gives us a unique sound that you don’t really hear in this day and age especially in East Anglia.
It’s been a strong year for the band having released your debut EP and playing lots of local shows, but what’s been your standout moment from 2018?
Our slot at the Apex at the end of August was great, playing on such a large stage and being treated so professionally was pretty good. We also sold all of our physical copies of our EP which we had just released about a week before digitally so that was amazing. Our set at BurySound Heat One this year was also amazing, despite not getting through we had a sold out audience at the Hunter Club and the energy in the room was huge.
As we all get set to welcome in 2019, what are Enterlude’s plans for next year?
We’re definitely writing more songs over the next few months and should hopefully have a few released early into the year. All of our songs have been recorded on GarageBand in various kitchens and front rooms, so it would be nice to rent out a proper recording space in the future. As four of the five of us are at University at the moment it makes it hard for playing live and rehearsing, but hopefully we can get a few gigs in the Summer and Winter when we’re all together again and settled down a bit. We’ve played the Hunter Club and The Apex, so naturally headlining Glastonbury is next, but if that’s not possible we would love to play at more venues in and around Bury, such as The Constitutional Club, Cambridge and Ipswich.
Influx of Insanity have become recent stalwarts of the local music scene, infamous for their prog rock sound, and the release of their self-titled EP proves why they’ll be around for a very long time.
Aged only fourteen years old, the duo have self-produced this collection of five brand new tracks alongside an acoustic version of one of their most revered songs. The EP is a studio version of tracks that were part of their BurySOUND and Cambridge Band Competition-winning sets.
Envious Souls is the EP opener, a track which builds up into a ferocious chorus which not only sounds awesome on record, but their live performances are also a pleasure to listen to. This has been a track that has always stood out live, and hearing the ‘studio’ version of it has made us love it even more.
Segued in between the heavier tracks on the EP are the psychedelic-inspired instrumentals of Unknown Entity and Kalinthapa. These tracks are more gentler and tranquil than anything the dynamic duo have released before, and shows a more versatile edge to their writing and instrumentals.
Violet and Season of Mist are two tracks that will stick long in the memory and are arguably two of the best rock songs you’ll hear all year. Violet‘s atmospheric guitar riffs from Dom Howard and Oliver Brown’s unique vocals builds up into an astonishing finale which will blow you away. Season of Mist shows off the band’s harder sound with more brutal riffs and intense vocals.
Go and listen now because this is an EP you HAVE to listen to.
INFLUX OF INSANITY launch their EP TOMORROW NIGHT (2nd Nov) at RAMPTON VILLAGE HALL. Support comes from LIMITED TIME and THE GOODS. 7:30pm start.
The all-conquering duo Influx of Insanity are back with the euphoric Season of Mist.
2018 has been a breakout year for duo Oli Brown and Dom Howard having won BurySOUND 2018 and the Cambridge Band Competition, as well as playing Homegrown Festival, various Junction Fiver nights and our first ever gig night at the Constitutional Club.
Season of Mist is the lead track from their upcoming EP, which follows on from their unique brand of progressive rock which has wowed audiences around the region.
The atmospheric guitar riffs and the intense, hammering vocals on the track makes this a profound listening experience which heightens especially at the tracks chorus where everything cascades into an astonishing wall of noise.
Influx of Insanity are on to a winner with this track, and with the EP release imminent, it’s clear that not only are they here for the long haul, but they’re the most exciting young band in the area.
Tomorrow night (18/08) sees The Music Blog 42 (US!) celebrate a year of blogging in the region with a night of celebration and rock featuring four of the best bands from East Anglia.
The night consists of sets from Latitude-conquering psych-rockers Sun Scream, teenage wonderkids Influx of Insanity, intensely powerful rock duo KULK and Cambridgeshire punk rockers God Hates Astronauts!
Headliners Sun Scream need no introduction when it comes to the local music scene having played Latitude Festival only this year off the back of several gigs around the region and Brighton. The end of the year sees the band release their new EP Big Red Lazy Sun, and play a support slot for The Brian Jonestown Massacre. Saturday sees them play a headline slot in their hometown which promises to be a truly special set.
Although they’re relatively new to the scene, Influx of Insanity have fast become one of the most popular bands in the area. In March, the duo won the BurySOUND Competition surprising all of the judges along the way. Later on in the year they also won the Cambridge Band Competition whilst up against strong opposition. A new EP is on the way, so expect to hear some new material on Saturday night.
KULK are another band who have seen a sharp rise in their popularity, with their intense, confident live performances winning over audiences in Norwich, Cambridge and Ipswich to name a few. Early 2018 saw them release two singles Fix Me and Toxic, two rock tracks laden with raw power and talent which has seen them booked for shows by Washing Machine and Local Distortion. For a duo, their sound is HUGE.
With hugely successful headline shows in Cambridge under their belt, God Hates Astronauts make their Bury St Edmunds debut on Saturday night. The trio released one of our favourite EPs this year in Triffids, and since then they’ve regularly played Local Distortion nights and have had extensive local radio play. Let’s just say that this won’t be their last gig in Bury St Edmunds.
Entry on the door tomorrow night is £5, cash only! On the door will also be merchandise from local designer Resolute Supply, available with cash only.
GOD HATES ASTRONAUTS 7:15-7:45
INFLUX OF INSANITY 8:45-9:25
SUN SCREAM 9:45-10:30
June’s edition of The Fiver saw a very strong line-up of six great local bands play at Cambridge Junction.
A band who are no strangers to the Junction stage are rock duo Influx of Insanity, having won the Cambridge Band Competition there a few months ago. Since seeing them for the first time in January it’s fair to say the boys have really grown in confidence and tonight proved it with a professional set and getting the crowd to interact during songs. At such a young age, Influx of Insanity are the most exciting band emerging out of Cambridge at the moment.
Making their Cambridge Junction debut were pop-punk trio ASBESTØS off the back of playing around the Cambridge gig circuit the past few months. They recently released their new EP Monochrome and their set featured many songs from it, including the short and sweet Futue te Ipsum and crowd pleaser Liar Liar. It’s great to hear a band that has such a retro 00’s pop-punk sound to them, it’s exciting to see what the next year holds for them.
One band who we always love seeing are The Catch, a band who really captivated the crowd during their set. The trio played a slightly varied set to what they played at Homegrown Festival a week ago with a new track and Vexed thrown in for good measure. The energy from the band was a joy to watch, especially in soon-to-be released track Hindsight and the raucous Tie Dye. It’s always great to see a band have fun up on stage, and with The Catch turning heads at every gig they play, it won’t be long until we see them headline their own show.
Another group who made their Junction debut were Bedford’s Basement Strippers who are slowly making a name for themselves locally with their energetic set. The band announced tonight that their new EP will be released in September, and on tonight’s showing we can’t wait to hear it. The set featured tracks from their 2017 EP The Exotic Show, with the title track and Standing At The Bridge putting smiles on everyone’s faces. As a live band, you won’t see many better than Basement Strippers this year.
If you’re a fan of full-bodied indie rock then you’ll love Tantris who whipped the crowd into a frenzy during their set. In their songs you can really distinguish their influences which range from the likes of Arctic Monkeys and Two Door Cinema Club, especially in tracks like Alcoholic and Radioactive Girl, whilst also playing new material. A really tight-knit performance from Tantris.
Another band that competed in the Cambridge Band Competition were electro-rock quartet Lunar Echoes. Although they played in front of a slightly smaller crowd, this didn’t stop them producing a great performance which included the Cambridge 105 NMG Chart-stormer Stockholm Syndrome and ace track Neon. The band have recently been in the studio recording some new tunes, so watch this space!
After two brilliant days at Homegrown Festival 2018, here’s our highlights of the brilliant weekend, although all of the bands were awesome!
The first act we saw at the Festival was the underrated talent Connor Adams. Hailing from Ipswich, he released his first EP only a few weeks ago, and the songs from this sound pretty awesome live especially the title track Open My Eyes. Alongside the new tracks was an inspiring cover of The Chain by Fleetwood Mac which really set the tone of the weekend! A really great set to open up the festival.
Making their debut at Homegrown Festival were young duo Influx of Insanity, bringing their heavy prog-rock to the fields of Barrow. It’s been a phenomenal few months for Dom and Oli, having won BurySOUND and Cambridge Band Competition, and starting to recording new music for their upcoming EP. A slight change to their set list paid off with tracks like Scaffolded Minds and EnviousSouls sounding better than ever.
Tom Lumley played his first of many festivals this summer, having confirmed a slot at Truck Festival a few days previously. Lumley has a knack of writing anthemic indie bangers, and his last single Skyhighis one of many on his packed setlist. One of the highlights of the weekend was his passionate performance of yet-to-be released track Crawling, a track which shows off a heavier side to Lumley’s music but also proves that he is still one to watch in the Cambridge area.
After playing The Apex the night before, The Catch dropped in and played a stormer of a set featuring old favourites like Artist and Effort, but it’s the rock-influenced Sort It Out and fast-paced fan favourite Tie Dye that went down really well with the Saturday afternoon audience. The trio also played a few new tunes which you can expect to hear real soon. They play Cambridge Junction tomorrow night (15th June), be there!
Among The Citizens were another band who played at The Apex the night before, and here they delivered a set which proves why they are highly thought of in the region. Tracks like Curved Lips and Needy not only shows off the band’s versatility in their styles, but makes their set list even more varied alongside the heavier, guitar-driven tracks like their brilliant new single Mess In The Head.
Having seem them at the Bury Fringe All-Dayer, we were excited to see Blue Mean Eyes and they definitely didn’t disappoint. They played songs from their 2017 EP Through The Mill like Brixton Shrug and our favourite Escapade whilst also teasing new material. After several line-up changes it seems like the trio have finally settled as a band, and it’s exciting to see how their sound develops over the following year.
One band who always goes down well with a crowd wherever they play are the psychedelic quarter KYANOS. Having won BurySOUND’s Rising Star award, they were given an early evening set which showed off their talents playing smooth instrumental tracks and the usual crowd pleasers like Thunder In Japan and So High. The band also teased new music to be released soon in the form of an EP, more news when we get it!
One of several artists at Homegrown who we hadn’t seen before was young rising star Gabby Rivers, and after this showing we can’t wait to see her again. Not only does she write some really awesome original tracks, Gabby also played some enjoyable covers like Portugal, The Man’s Feel It Still and Florence + The Machine’s Dog Days Are Over which had the crowd singing along. An inspiring talent at only 15 years old, definitely one to watch.
When it comes to energetic indie rock tunes, Fick As Fieves are the pick of the bunch. Deservedly, they co-headlined The Coastline Stage with an impressive light show throughout their fast-paced, catchy set. A moshpit formed in the crowd when the trio played tracks like English Weather and Wasteman, whilst new tracks from their debut EP Drift End like COL and Outstayed prove why they are one of the region’s finest live bands. More new music could be on its way to your ears by the end of the year, watch this space!
Saturday’s epic day of music was closed by the funk-soul legends Stretch Soul Gang. Their epic hour-long set was full of original classics which made the whole field have a dance. Opening their set with latest single Open Up Your Eyes, the Gang kicked in to gear with their next single Hit The Deck, fun groover Poncho Villa and the always outstanding Sharks At The Wheel. One of our highlights of the whole festival was the performance of Ungrateful which featured a rare live outing from soul singer Steven Bamidele whose vocals complimented the flawless falsettos on the track. They closed their set on debut single Ain’t Got No Money, followed by a fireworks display to round off the day. Let’s hope they get invited back for the third year running next year!
We had a great time at our first Homegrown Festival, and we want to thank the organisers (especially Sara!) for their support, and for putting on an awesome weekend!
Influx of Insanity were crowned winners of BurySOUND 2018 last night (9th March) at The Apex, Bury St Edmunds.
Kelodown kicked off what promised to be an insane night with their brand of hard rock which sounded so much better on a bigger stage. They opened with Occupational Hazard, a great up-tempo track that really got the crowd moving. The vast amount of energy on stage as a joy to see, the perfect way to open the night.
The psychedelic sounds of KYANOS came next, a world away from the hard rock before. Their setlist featured some ‘old’ favourites like the stunning Thunder In Japan but also featured various new tracks from their upcoming record Lost In Blue. A band to keep an eye out for because if the rest of their record is as good as So High then they’re on to a winner.
The insanely good Influx of Insanity played out another great set, with this being the third time I’d seen them in a matter of months. And since then, they’ve just got better and better. Oozing with confidence throughout, they burst into the fantastic tracks Envious Souls and Perpetually Unfulfilled, commanding the stage in the process. The duo looked the part, and are deserving winners of the year’s competition
Math-rock foursome Indecision were something of an unknown entity going into this year’s competition and having not seen Heat 4 I was intrigued about the band. They have a great selection of tracks like 60s, and their frontman is something else too. A great tone to his voice and not to forget his hilariously great dancing meant this was a memorable performance indeed.
Grunge-blues trio Organ of Corti closed the night with their extensive sounds. Their performance in the first heat was hard to beat, but they were a thousand times better on The Apex stage. A real surprise to the competition, give them time to develop and hone their sound even more and they could be a really really special band.
Whilst judging the competition, the crowd were treated to a headline set from 2017 winners and all-around legends TUNDRA. Their setlist consisted of new tracks from their upcoming EP (27th April can’t come soon enough) and favourites like Loser and Vacation (Cheer Up Chuck) which resulted in a stage invasion. It’s been a great start to the year for Elliot, Caitlin and Elliott having supported Marmozets at Cambridge Junction, and with the EP out soon, 2018 could be a huge year for them!
Congratulations to Influx of Insanity on winning BurySOUND 2018.
Also congratulations to KYANOS for winning the Rising Star award!
Me and Guy would like to thank Seymour Quigley and Tim Willett for choosing us to judge this year’s competition.
We’d also like to thank Joe, Jay, Linzi, White, Catherine, Neil, Claire, Sara, Davey and the other judges for making us feel so welcome on the panel. We can’t wait for next year already!
Cambridge’s Influx of Insanity were the winners of Heat 5 of BurySOUND at The Hunter Club on Friday (23rd February).
Abbey Green started the night off, proclaiming their set was going to be “half covers, half originals”. Their original tracks sounded decent and with more practice and evolving they’d be a pretty good acoustic duo!
The second band on were Influx of Insanity. Astonishingly these lads are only 13 and 14, and it’s even more impressive with the music they produce. Their brand of prog-rock won the crowd and judges over with great tracks like Envious Souls and Scaffolded Minds, not to forget the tight creative chemistry between them. The duo have so much potential, keep an eye out for their new music being released soon!
The hotly-tipped KULK have had a pretty good start to the year, with 6Music’s Steve Lamacq dubbing them ‘Stowmarket’s Royal Blood’ and re-releasing their tracks Fix Me and Toxic. The tracks have a different edge to them live, they’re definitely one of the best live bands around at the moment, with such incredible stage presence. This time next year, they’ll be huge!
EEEYORE, from the outskirts of Cambridge, brought their stoner-rock sounds to their set. The quartet looked very comfortable on stage, and they’ve got a really great sound about them. Their opening track Out of Sight is such a great tune! Tonight was their first time playing at The Hunter Club, let’s hope they’re back asap!
Indie rockers The Catch closed the heat with a great set which included the likes of Artist and Tie Dye, which was premiered on the Blog earlier this week. The trio are fast becoming a huge band on the local scene and the crowd’s admiration for them was evident, culminating in a huge moshpit for set closer Vexed.
Having been judging, we only saw the last ten minutes of A Horse Called War’s set. But all we can say was that it was loud, very loud and absolutely phenomenal. They’re back at The Hunter Club on 21st April!
Congratulations to Oli and Dom of Influx of Insanity for going through to the final!
BurySOUND final is 9th March at The Apex, with a line-up of ORGAN OF CORTI, KYANOS, INDECISION, KELODOWN and INFLUX OF INSANITY!